Image caption: Willem Dafoe in At Eternity’s Gate
GIFT CARDS AND GIFT MEMBERSHIPS
Have a movie lover on your holiday shopping list? Want to support the Downing? You can do BOTH by purchasing a Downing gift card or gift membership.
The Downing presented more than 60 films in 2018, including
- Engaging independent dramas and comedies
- Stage productions filmed live in London’s West End (10+)
- Documentaries (10+)
- Foreign and classic films
- Oscar-nominated short films
- Thought-provoking free programming in collaboration with our community partners
None of this would have been possible without the generous financial contributions of our members, sponsors, and donors.
We hope you’ll join them by including the Downing in your year-end-giving plans, so that we can continue to bring the best in independent cinema to Newburgh.DONATE
Or pick up a donation envelope in our lobby.
New York Times Critic’s Pick
AT ETERNITY’S GATE
Directed by Julian Schnabel | In English
Starring Willem Dafoe, Rupert Friend, Mads Mikkelsen, and Oscar Isaac
110 min | Biography/Drama | 2018
About the Film
Julian Schnabel’s At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Academy Award® Nominee Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.
[Willem] Dafoe, with his surprising, sometimes terrifying mouth, and his skull visible beneath skin as tightly stretched as canvas, has one of cinema’s great faces, and [director Julian] Schnabel makes delicate use of both its ragged beauty and expressive range. Dafoe’s thin, coiled physicality suggests both fragility and determination, while his tensile face flutters with an astonishment of emotions that, by turns, suggest a yielding or off-putting sensibility. (Few actors can look so frightening or so beatific in such rapid succession.) Vincent’s agonies render moot the age difference between the character and actor; Dafoe is 63, and his deepest creases can seem like evidence of Vincent’s current and past suffering….by adamantly focusing above all else on van Gogh’s work—and its transporting ecstasies— Schnabel has made not just an exquisite film but an argument for art.
—Manohla Dargis, New York Times